Waxing Gibbous Moon

I’m looking back at some older photos and experimenting with different post-processing techniques. I had taken this waxing gibbous moon photo last year on May 12, 2015. For comparison, this photo of a 97% waxing gibbous moon was taken a day later. This most recent edit looks much sharper.

Full Moon

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The Last Day of the Year

On the last day of the year, I headed up to the hills for a sunrise photography session above Silicon Valley. Shoreline Amphitheatre, which is surrounded by the Google campus, is easily identifiable in the bottom of the photograph. Along the rolling hills in the background, wind turbines transform the winds into clean energy.

Mountain View, CA

Camera: Nikon D800
Lens: Nikkor AF-S 70-200mm f/2.8G ED VR II
ISO: 100
Focal Length: 200mm
Aperture: f/8.0
Shutter: 1/20s

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Looking Up From the Base of the Eiffel Tower

From the base of the Eiffel Tower, the secrets of this iconic Parisian landmark are revealed. Up close, I can see the iron skeleton that supports the Eiffel Tower. Some parts are purely utilitarian, while others, like the scalloped border that accents the arches, add a decorative flair. Within the staunch legs, the challenging stairs channel climbers up to the higher observation decks of the Eiffel Tower. The climb is not too difficult, and lets you avoid the long wait for the more convenient elevator.

Eiffel Tower

Camera: Nikon D800
Lens: Nikkor AF-S 16-35mm f/4G ED VR
ISO: 100
Focal Length: 17mm
Aperture: f/8.0
Shutter: 1/80s

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Louvre Museum

I’m revisiting some photos that I had taken at the Louvre Museum in Paris, France. I regret that I had taken these as JPG instead of RAW. However, I could still make some adjustments, which I like better than an earlier edit.

Louvre Paris France

Camera: Nikon D800
Lens: Nikkor AF-S 24-70mm f/2.8G ED
ISO: 100
Focal Length: 29mm
Aperture: f/2.8
Shutter: 1/6s

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Maras Salt Terraces

In modern times, we head to the supermarket for salt. If we study the packaging, we can learn quite a bit about where this treasured commodity originated. Some salt is harvested from the oceans, hence the term “sea salt.” Others come from inland salt mines where ancient seas have long dried out. Just think of Himalayan salt, which sounds like it comes from Tibet, but is really harvested in Pakistan.

The Maras salt terraces in Peru comes from a mountain stream that flows with salt water. This water is collected in evaporation ponds in terraces along the mountain side. As it dries, a white crust of salt emerges. Families have been harvesting salt from this location since the days of the Incas.

Maras Salt Terraces

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Memorial Church at Night

I will have to retry this experiment in a different location. The objective was to take a photo of the stars within an urban environment. For the night sky, the exposure settings were ISO 6,400, f/2.8 and 20.0s. For the church itself, the exposure settings were ISO 100, f/2.8 and 0.4s.

The problem I encountered was all the nearby lights that were pointed at the lens would cause some severe glare, particularly at those settings.

MEMORIAL_CHURCH_6575

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Silicon Valley Milky Way

I headed out tonight hoping to see the Perseid meteor showers. The big challenge was finding a location that was relatively dark in Silicon Valley. Just a few miles up the foothills, I stopped at a turnout and was greeted with a view of the Milky Way. Every few minutes, the passing cars would zip by and illuminate the trees along the roadside.

I did see a few meteors flash across the sky. The ones closest to the horizon were the most impressive. However, I found the Milky Way to be far more enchanting.

Silicon Valley Milky Way

Camera: Nikon D800
Lens: Nikkor 16-35mm f/4G AF-S ED VR
ISO: 3,200
Focal Length: 17mm
Aperture: f/4.0
Shutter: 1/20s

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Canyon de Chelly

Canyon de Chelly is a testament to the adaptability of human beings. Instead of walled cities, these people built their community into the crevices of the canyon walls. It is almost a cliché to be amazed by the ancient people who wandered the globe before us. But, each of them did whatever they had to do to survive, so that each of us can enjoy the bounties of today.

Canyon de Chelly

Camera: Nikon D7000
Lens: Nikon 18-200mm f/3.5-5.6G AF-S ED VR IIs
ISO: 140
Focal Length: 200 mm
Aperture: f/5.6
Shutter: 1/30s

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Sunset in Monument Valley

Four years ago, I visited Monument Valley. Located a few hours east of the Grand Canyon, Monument Valley is the iconic homeland of the Navajo people. Between the two, I found Monument Valley to be far more interesting. I hired a guide from Monument Valley Safari, who took us to various points of interest in Monument Valley, both natural and man-made. The real highlight was connecting with people I would not have ordinarily met, and understanding how they and their ancestors have lived on this land for generations.

Looking back through my old photos, I cannot wait until I can return to Monument Valley. Four years feels like a long time. The hardware of photography has changed with the prominence of cameras bearing full-frame sensors. More importantly, I have gained four more years of experience and understanding in photography and post-processing. You cannot wish that you had taken better photos in the past. However, you can re-visit those places anew and apply all that you have learned in the interim.

Monument Valley Sunset

Camera: Nikon D7000
Lens: Nikon 18-200mm f/3.5-5.6G AF-S ED VR IIs
ISO: 100
Focal Length: 22 mm
Aperture: f/5.6
Shutter: 1/125s

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Boston Skyline at Dusk

I love cities like Boston that are so pedestrian accessible. Armed with a basic sense of direction, I was able to navigate my way throughout the city searching for delightful places of interest. During the week I was in Boston, the sunsets were quite spectacular. I was looking for a place with some elevation where I could see the Boston skyline at dusk without my view being obscured by all the tall skyscrapers.

So, I headed to Boston Common hoping that the large public park would offer some city vistas. Within the Common, I found a small hill and perched myself along the slope near the top. As sun descended, we were greeted by the office lights of the surrounding buildings.

Boston Skyline

Camera: Nikon D800
Lens: Nikkor AF-S 24-70mm f/2.8G ED
ISO: 100
Focal Length: 38 mm
Aperture: f/5.6
Shutter: 1/4s

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