Piazzale Michelangelo Revisited

If you are fortunate enough to live in Florence, you can make multiple trips to Piazzale Michelangelo to witness the gorgeous sunset. The best that I can do is dig through three-year-old JPEGs and experiment with different post-processing workflows.

Piazzale Michelangelo

Camera: Nikon D800
Lens: Nikkor AF-S 24-70mm f/2.8G ED
ISO: 100
Focal Length: 44mm
Aperture: f/2.8
Shutter: 1.3s

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Nazca Lines: Whale

Visiting the Nazca lines is not the most pleasant experience. On board a small plane, we headed out on our aerial tour. Now to see these lines, our pilots would sharply roll the plane left or right so that the passengers would get a clear, downward view of the geoglyphs on the ground. The end result is that about a third of the passengers developed motion sickness. This is truly unfortunate because the geoglyphs are quite amazing. It really requires some talent to construct objects of this scale.

Nazca Whale

Camera: Nikon D800
Lens: Nikkor AF-S 28-300mm f/3.5-5.6G ED VR
ISO: 320
Focal Length: 48mm
Aperture: f/8.0
Shutter: 1/2000s

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A Testament to Man

While soaring along the coast of Peru, I could spot the plots of cultivated land squeezed into whatever area that the ingenuity of man permits. Meandering through the fields is the outline of what once was a river. Maybe it will return in a wetter season. However, on that day, it was nothing more than a thick line of dry sand etched into the landscape.

Flight Over Peru

Camera: Nikon D800
Lens: Nikkor AF-S 28-300mm f/3.5-5.6G ED VR
ISO: 320
Focal Length: 72mm
Aperture: f/8.0
Shutter: 1/2000s

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Waxing Gibbous Moon

I’m looking back at some older photos and experimenting with different post-processing techniques. I had taken this waxing gibbous moon photo last year on May 12, 2015. For comparison, this photo of a 97% waxing gibbous moon was taken a day later. This most recent edit looks much sharper.

Full Moon

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The Last Day of the Year

On the last day of the year, I headed up to the hills for a sunrise photography session above Silicon Valley. Shoreline Amphitheatre, which is surrounded by the Google campus, is easily identifiable in the bottom of the photograph. Along the rolling hills in the background, wind turbines transform the winds into clean energy.

Mountain View, CA

Camera: Nikon D800
Lens: Nikkor AF-S 70-200mm f/2.8G ED VR II
ISO: 100
Focal Length: 200mm
Aperture: f/8.0
Shutter: 1/20s

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Looking Up From the Base of the Eiffel Tower

From the base of the Eiffel Tower, the secrets of this iconic Parisian landmark are revealed. Up close, I can see the iron skeleton that supports the Eiffel Tower. Some parts are purely utilitarian, while others, like the scalloped border that accents the arches, add a decorative flair. Within the staunch legs, the challenging stairs channel climbers up to the higher observation decks of the Eiffel Tower. The climb is not too difficult, and lets you avoid the long wait for the more convenient elevator.

Eiffel Tower

Camera: Nikon D800
Lens: Nikkor AF-S 16-35mm f/4G ED VR
ISO: 100
Focal Length: 17mm
Aperture: f/8.0
Shutter: 1/80s

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Louvre Museum

I’m revisiting some photos that I had taken at the Louvre Museum in Paris, France. I regret that I had taken these as JPG instead of RAW. However, I could still make some adjustments, which I like better than an earlier edit.

Louvre Paris France

Camera: Nikon D800
Lens: Nikkor AF-S 24-70mm f/2.8G ED
ISO: 100
Focal Length: 29mm
Aperture: f/2.8
Shutter: 1/6s

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Maras Salt Terraces

In modern times, we head to the supermarket for salt. If we study the packaging, we can learn quite a bit about where this treasured commodity originated. Some salt is harvested from the oceans, hence the term “sea salt.” Others come from inland salt mines where ancient seas have long dried out. Just think of Himalayan salt, which sounds like it comes from Tibet, but is really harvested in Pakistan.

The Maras salt terraces in Peru comes from a mountain stream that flows with salt water. This water is collected in evaporation ponds in terraces along the mountain side. As it dries, a white crust of salt emerges. Families have been harvesting salt from this location since the days of the Incas.

Maras Salt Terraces

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Memorial Church at Night

I will have to retry this experiment in a different location. The objective was to take a photo of the stars within an urban environment. For the night sky, the exposure settings were ISO 6,400, f/2.8 and 20.0s. For the church itself, the exposure settings were ISO 100, f/2.8 and 0.4s.

The problem I encountered was all the nearby lights that were pointed at the lens would cause some severe glare, particularly at those settings.

MEMORIAL_CHURCH_6575

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Silicon Valley Milky Way

I headed out tonight hoping to see the Perseid meteor showers. The big challenge was finding a location that was relatively dark in Silicon Valley. Just a few miles up the foothills, I stopped at a turnout and was greeted with a view of the Milky Way. Every few minutes, the passing cars would zip by and illuminate the trees along the roadside.

I did see a few meteors flash across the sky. The ones closest to the horizon were the most impressive. However, I found the Milky Way to be far more enchanting.

Silicon Valley Milky Way

Camera: Nikon D800
Lens: Nikkor 16-35mm f/4G AF-S ED VR
ISO: 3,200
Focal Length: 17mm
Aperture: f/4.0
Shutter: 1/20s

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